Modern dance and traditional dance

 Name : Nurul Hamidah Septianingsih

Class : 3C

NPM : 1910631060118

Tradi5tional dance and modern dance 

Traditional Dance 

JAIPONG DANCE 

  


Jaipongan is a genre of art that was born from the creativity of an artist Bandung, namely Gugum Gumbira. His attention to folk art, one of which is Ketuk Tilu make a Gugum Gumbira know and know very well the patterns of movement vocabulary of dance traditions that exist in Kiliningan / Bajidoran or Ketuk Tilu. Motions openings, Pencugan, nibakeun and some minced range of motion of some art above has enough inspiration to develop a dance or art that is now known as Jaipongan.

But before performing art form it appears there is the influence of the background shape of the association. In West Java, for example, is a social dance influences from the Ball Room, which is usually in performances of dance, social dance could not be separated from the presence Ronggeng and Pamogoran. Ronggeng in social dance no longer works for the ceremony, but for entertainment or a way of slang. The existence Ronggeng the performing arts have the attraction that invites sympathy for the pamogoran. For example in Tilu Ketuk dance is so well known by the Sundanese, estimated this art is popular around the year 1916. As the folk performing arts, this art is only supported by simple elements, such as waditra which includes fiddle, drums, two kulanter, three tap dar goong. Similarly hear her dance movements that tidaN have a standard pattern of motion of sederhanz dancer costume as a reflection of populist.
As heard rnemudarnya type of art d above, the former pamogorar (the audience that plays a role in the performing arts activism Ketuk Tilu / Doper / Tayub), turned his attention to the performing arts Kiliningan, which in the north coast of West Java (Falkirk, Purwakarta, Jakarta, Indramayu and Subang ) known as Kiliningar, Bajidoran ibingnya patterns and events which have similarities to hear the show prior art (Ketuk Tilu / Doger / Tayub). In the meantime the existence of the dances in masks Banjet quite popular, especially in Karachi, where several motion patterns Bajidoran taken from this Banjet mask dance. In the dance choreography still reveals the patterns of tradition (Ketuk Tilu) where there are openings motions, pencugan, and several kinds of motion nibakeun mincid which in turn became the basis of the creation of dance Jaipongan_ Some basic motions in addition to Ketuk dance Jaipongan Tilu, Ibing Bajidor and Mask Banjet is Tayuban and Pencak Silat.

The emergence of dance works on awalanya Gugum Gumbira called Ketuk Tilu development, which is due to basic dance is the development of Ketuk Tiiu. The first work Gugum Gumbira still very thick with color ibing  Ketuk Tilu, both in terms of choreography and iringannya, which later became popular dances as Jaipongan.

Jaipongan work of the first known by the public is Pufus Keser Bojong Leaves dance and dance Rendeng Bojong, both of which type of tai daughter and pairs (boys and girls). From the dance up a few names that are reliable Jaipongan dancers like Tati Saleh, Yeti Mamat, Eli Somali and Pepen Kurnaedi Dedi. Early occurrence of the dance had become a conversation, where the central issue is the movement of erotic darts vulgar. But from some print media exposure, name Gugum Gumbira society began to be known, especially after Dance Jaipongan in 1980 staged at the Central Station TVRI Jakarta. The impact of further increasing the popularity of the frequency of performances, both in the medium of television, celebration and celebrations held by the private sector and government.
Dance Jaipongan presence has contributed greatly to the art of dance to the tenants more actively explore types of folk dances that were previously less attention. With the advent of Tarl Jaipongan, utilized by the activist art of taxi unttuk organize dance courses Jaipongan and utilized by entrepreneurs Pub-pub night as decoy invited guests, where the further development of business opportunities semacarn was formed by activists as an attempt to empower taxi economy with the name of Tan Studio or groups in some areas of West Java, for example in Subang with Jaipongan kaleran style.

Characteristic of the style Jaipongan kaleran, namely joy, erotic, humor, passion, spontaneity and simplicity (natural / is). This was reflected in the pattern of presentation of the taxi on the performer, there is a given pattern (Ibing pattern) as in art Jaipongan in Bandung, there are also dances that are not patterned (Ibing Saka), for example in Art jaipongan Subang and Falkirk. This term can be found in Jaipongan Kaleran style, especially in Subang area. In its presentation, style Jaipongan kaleran as follows: 1) Tatalu; 2) Flower Bluebird 3) Fruit Kawung Gopar; 4) Opening Dance (Ibing Patterns), usually sung by a single dancer or Sinde Tatandakan (a Sinden but do not sing but dance songs sinden / interpreter kawih); 5) Jeblokan and Jabanan, is part of the show when the audience (Bajidor) Sawer money (Jabanan) while greeting temple. Jeblokan term is defined as a couple who settled between sinden and the audience (bajidor).

Further development of Jaipongan occurred in the year 1980-1990's, where Gugum Gumbira create other dance such as Toka-Toka, Setra Sari, Sonteng, Pencug, Heron Man gut, procession-firing Leaf Puring, Rawayan and Dance Kawung Anten. From taritarian appeared several dancers Jaipongan reliable among others Iceu Effendi, Yumiati Mandiri, Miming Mintarsih, Nani, Erna, Mira Tejaningrum, Ine Dinar, Ega, Nuni, Cepi, Agah, Aa and Asep Intercessory Suryabrata.

Today Dance Jaipongan be called as one of the identity of the arts of West Java, this is evident in several important acaraacara regarding guests from foreign countries who come to West Java, it was greeted with Dance Jaipongan. Similarly with art missions to foreign countries is always equipped with Jaipongan Dance. Dance Jaipongan affect many other art-art that exist in the community of West Java, both in the art of wayang, gamelan, Genjring / terebangan. DAMAS jaipong and almost all the performances on folk music and modern dangdut Jaipong collaborated with the art Pong-Dut.


OPINION  

According to the text above, I think jaipong dance is very good because the dance is flexible and unique makes many people like this dance. The jaipong dance is one of the original Indonesian arts that is worldwide. Jaipong dance comes from west java which was created by gugum gumira. He managed to unite several art movements from three different arts. The arts he combines are the Wayang Golek art, the Tap Tilu art, and the Pencak Silat art.

From this combination, a very unique dance with an energetic style was created. Where this dance is very popular with the local community and is developing very rapidly. Accompanied by powerful types of music such as gong, drums, gongs and other percussion instruments, this art is transformed into an aesthetic dance form.

The jaipong dance has also begun to be recognized by many people, and has received a very good reception from the community. This is evident from the number of invitations from various regions who wish to present this jaipong dance art for various purposes. Until finally jaipong expanded and is now known as a typical West Java dance.

Modern dance 

HIP HOP DANCE 

Hip-hop dance is a unique and exciting style of street dance that is most commonly performed to hip-hop music. Hip-hop dance is a vibrant form of dance that combines a variety of freestyle movements to create a cultural piece of art. Through its three main styles of popping, locking, and breaking, hip-hop dance has evolved into one of the most popular and influential styles of dance.

Greeley dance studio, A Dance Place, enjoys teaching hip-hop dance because of its more laid back style that allows dancers to let loose and worry less about technique and more about expressing themselves through their movement and their music. With more upbeat music, hip-hop dance creates a different level of fun and creativity.



Hip-hop dance began during the late 1960’s and early 1970’s, originally inspired by the movements of African dancing, and flourished as a new style of dance performed on the street for the people. Hip-hop incorporates aspects of modern dance, tap, and swing, integrating music and complex movements to form artistry.

The early history and roots of hip-hop dance are most often associated with its beginning on the East Coast, specifically New York City. But the West Coast also formed its own style of the East Coast hip-hop dance around the same time.

East Coast hip-hop began with the unique rhythmic combinations created by Kool DJ Herc, a Jamaican DJ who moved to Brooklyn at the age of 12 and quickly became one of the most popular DJ’s of New York City. DJ Herc ingeniously thought to extend dance sections of songs to create better opportunities to showcase the breaking movements of dancers.

West Coast hip-hop took the dance style from the East Coast and made it its own, transforming some of the frozen moves and making them more robotic. The West Coast was also where two of modern hip-hop’s most iconic styles, popping and locking, were born.

East Coast and West Coast hip-hop dance styles were originally meant to be two distinct forms of dance. However, as hip-hop grew in popularity, the two styles began to merge together into a unique street dance culture. Over time, hip-hop expanded from the street scene, and its choreography became a sought-after style in dance studios, clubs, and other venues.

During the 80’s and 90’s, hip-hop dance competitions became increasingly popular with the emergence of “battles,” one-on-one freestyle competition on the dance floors of clubs surrounded by a circle of fans. Improvised battles soon led to advertised battles and a higher level of competition.


While hip-hop originated as informal street dance meant for the people present, it has further evolved onto the stage and screen and into an audience favorite. Hip-hop now is a highly sought-after and dominant style of dance. It is among the most common styles of dance for music videos, concerts, and dance competitions. It can be found in dance studios of all kinds, teaching its unique and energetic compilation of movements to young and old.

Hip-hop dance has transformed the world of dance and has taken the dance culture by storm. Many of its distinctive moves are often integrated into the choreography of more traditional styles of dance and it has even worked its way into major theatrical and cinematic productions.

Hip-hop dance provides a vibrant means for exercise, art, and movement, creating a platform for individual expression and undeniable talent.

OPINION 

Based on the above text hip hop dance consists of three main styles namely popping, locking, and breaking, hip-hop dance has developed into one of the most popular and influential dance styles. Hip-hop incorporates aspects of modern dance, tap, and swing, integrating music and complex movements to form artistry.

Until now, hip hop dance is still very popular with teenagers. now also teenagers like to mix hip hop dance with rap music. I think hip hop dance is good dance and unique but maybe difficult to do because of the fast movements. although hip hop dance is liked by almost all people but not everyone can do this dance. Dances such as the hip hop dance are perfect for street dancing competitions.


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